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What happened Kathe Kollwitz?
Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status….
Käthe Kollwitz | |
---|---|
Died | 22 April 1945 (aged 77) Moritzburg, Saxony, Germany |
Resting place | Zentralfriedhof Friedrichsfelde |
Nationality | German |
Movement | Expressionism |
When did Kathe Kollwitz die?
April 22, 1945
Käthe Kollwitz/Date of death
Käthe Kollwitz (German pronunciation: [kɛːtə kɔlvɪt͡s]; born as Schmidt; 8 July 1867 – 22 April 1945) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture.
Where did Kathe Kollwitz die?
Moritzburg, Germany
Käthe Kollwitz/Place of death
Did Kathe Kollwitz have kids?
Peter Kollwitz
Hans Kollwitz
Käthe Kollwitz/Children
Did Kathe Kollwitz use charcoal?
Kollwitz used graphite, charcoal, crayon, and wash to create a composition of sweeping diagonals.
What was Kathe Kollwitz inspired by?
Käthe Kollwitz was similarly inspired by Gerhart Hauptmann’s play Die Weber (The Weavers, 1892), which she saw at its first performance in 1893, to create a print series that was more about the conditions of the poor around her, than Silesia in 1844.
Is Kathe Kollwitz an expressionist?
She died a few weeks before the end of the war in Europe. Kollwitz was the last great practitioner of German Expressionism and is often considered to be the foremost artist of social protest in the 20th century.
What did Kathe Kollwitz draw?
Kollwitz created monochrome drawings, etchings, lithographs, woodcuts, paintings and sculptures, through which she felt it was her duty to give a voice to the voiceless.
Is Kathe Kollwitz a German Expressionist?
Kollwitz was the last great practitioner of German Expressionism and is often considered to be the foremost artist of social protest in the 20th century. A museum dedicated to Kollwitz’s work opened in Cologne, Germany, in 1985, and a second museum opened in Berlin one year later.
Why did Kathe Kollwitz make prints?
Trained initially as a painter, but by 1890 turned to printmaking as means for social criticism. Married to a physician to proletarian families in Berlin, felt deep admiration for working class and dedicated her art to the poor and oppressed, especially women and children.